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Black metal may have the following characteristics: An abraded, very low fidelity recording style is common in most black metal. Modern evolution of many of the older 'genre leading' bands have had a vast change in sound, and by many - and most of the times, even the band - are no longer considered black metal. Such examples include Mayhem's career that began mostly in the death/black roots, moved to almost pure black, then towards death again in their later career. Also, Satyricon who started off as black metal but now play a very industrial heavy hybrid of the music. Modern offshoots of this original black metal sound have incorporated atmospheric elements using ambient guitar and keyboard passages such as organ sounds or other miscellaneous instruments. A distinct (but not intrinsic) feature of the black metal is the use of corpse paint, a special kind of black and white make-up which was used to make the wearer look like a decomposing corpse or plague victim. It should be noted that Immortal referred to their make-up as "war paint", not carrying the same connotation as corpse paint. Another distinct feature of black metal is the use of dark or Satanic monikers pioneered by Venom (the original line up being Cronos, Mantas & Abbadon). Examples of this are: Quorthon (Bathory), Darken (Graveland), Euronymous (Mayhem), Goat, Count Grishnackh (Burzum), Fenriz (Darkthrone), Nergal, Inferno (Behemoth), Zephyrous (Darkthrone), Frost (1349), Abbath (Immortal), Demonaz (Immortal), Horgh (Immortal), Iscariah, Hellhammer (Mayhem), Maniac (Mayhem), Necrobutcher (Mayhem), Blasphemer (Mayhem), Dead (Mayhem), Hoest, Ihsahn (Emperor), Samoth (Emperor), Faust (Emperor), Trym (Emperor), Nattefrost (Carpathian Forest), Nordavind and Tchort (Emperor), Malefic (Xasthur), Wrest (Leviathan) to name a few. Earlier bands tended to dwell on themes of fantasy, mythology, and folklore in their songs, as well as Satanism, darkness, evil, and so on as many of their direct musical and cultural roots included these topics.